“L’amico di famiglia” – Incontro con l’autore della Fotografia Adolfo Bartoli
MIRACOLO A PALERMO
“…una strada più poetica e visionaria, una favola che esce dall’imbrigliatura dell’ordinario per sfociare nella meraviglia e che ci restituisce una Palermo piena di colori, grazie alla fotografia luminosa di Adolfo Bartoli…”
31 marzo 2005
“… cinematographer Adolfo Bartoli and production designer Errol Kelly do justice to the wide-screen format, and the film looks super.”
film ADVISORY BOARD, INC.
April 18, 1997
“… An exciting, beautifully photographed film ,.” (Elayne Blythe, president, film Advisory Bord, Inc.)
GREG KING, Melbourne, Australia
April 1998
“… Adolfo Bartoli’s cinematography is good and the film is,at times, quite stunning visually.”
URBAN CINEFILE, Australia
April 5, 2001
“… Photographed beautifully in lush, exotic settings.”
VAMPIRE JOURNALS
DVD LASER.COM (AMAZON.COM)
June 15, 2001
“…The picture has a natural grain and is heavy on the shadows, but the image quality is good, with a sharp focus and accurate, though moodily lit and conceptually anemic, fleshtones.”
VAMPRESS.NET
April 5, 2001
“The screen imagery, by Director of Photography Adolfo Bartoli, is better than average for a Direct-to-Home Video flick. Particularly good is an atmospheric shot of jack/Thomerson at a payphone at night outside the Paradise Motel, which has a pink and green neon sign, the “O” of which is out. This shot perfectly captures the feel of a classic private eye movie.”
TRANCERS 3
MOVIEACTORS.COM/SCIENCE FICTION – (THE WEB NETWORK TWN)
March 1999
“… Adolfo Bartoli’s sumptuous cinematography, shot almost exclusively at nighttime, with the beautiful interiors often bathed in golden light; it offers a good representation of what living in eternal night must be like.” (Bryan Reesman)
TRANCERS 4 – JACK OF SWORDS
MOVIEACTORS.COM/SCIENCE FICTION (THE WEB NETWORK TWN)
April 2001
“… The lush, Romanian locations are well lensed by Director of Photography, Adolfo Bartoli.”
“… Cinematographer, Adolfo Bartoli, lensed the lush exteriors to perfection.”
“… A conferire a ‘Rosso di Sera’ di Beppe Cino un generale effetto di disagio, di velleitarismo, di rifiuto e a dire il malessere questi ‘eroi’ logorati dal disincanto dà un buon contributo il fotografo Adolfo Bartoli.”
GIOVANNI GRAZZINI, film Critic, “IL MESSAGGERO”
1985